We're at the point in the Dressrosa arc where you pretty much have to be resigned to One Piece's excruciating pace and low production values in order to muster through. We continue with the one-on-one battle of Trafalgar Law and Donquixote Doflamingo, which has reached a phase of repetition that's really starting to challenge my patience watching it week to week. We get the usual shonen smack talk, an exchange of String-String and Op-Op powers, Law gets desperate and cocky, Doflamingo gets angry and then maniacally gleeful, etc. Thankfully, we seem to have reached the end of it due to an interesting development that I'll get to in a bit.
Continuing on from last week, it seems One Piece has temporarily bottomed out in its animation. Toei held on long enough to keep the Corazón flashback looking pretty nice, but now the toll has been taken. Throughout the episode we see the camera cutting away from the action just as the most interesting motions are in play, letting the sound effects tell the story more than anything. This has been used effectively in the past, but it feels so stiff and unnatural here, like the various shots are uncomfortably crammed together and desperate to make you look the other way just as things get to their ugliest.
Thankfully, this episode does have a bit more meat on it than the last. The way the modern One Piece anime normally operates is that each episode is a direct adaptation of a corresponding manga chapter, but every once in a while they do mix and match some of the scenes from nearby chapters. This week we're spared from the run-time being focused almost entirely on Law and Doflamingo and in addition we get a really entertaining scene from Zoro and pica's fight.
This is the portion of the episode that holds up the best, animation-wise, but the actual content is also really amusing. pica's comically high pitched voice is funny on its own, but it reaches it's peak mixture of disturbing and hysterical when he laughs. Their fight in general is one of the most interesting of the bunch as well, since you've got a regular sized Zoro smashing a mountain sized enemy who can move throughout the island with ease thanks to his stone-assimilation powers. There's a lot of room for big spectacle that carries the fight to a lot of different locations.
The most important event to happen in this episode, however, does occur back during Law's fight. Doflamingo has him pretty much beat and lands a nasty blow using something called a “string-saw” attached to his leg to cut Law's arm off. This is a crazy dramatic development for a series like One Piece. There are no expectations that Law might die by the end of the arc, but it's cool to think that permanent damages are still on Oda's mind. This is exactly the kind of edge that feels right for a series like this, which often aims itself at kids and teenagers, but also trusts them to handle violent and scary things. I just like knowing that things can be permanently lost or changed in this show (and to the people current with the manga, I know.)
This episode makes it pretty clear that Law is more-or-less out of the fight now, meaning the focus can change as we build back up to the real, no-holds-barred Luffy vs. Doflamingo fight. We've got a lot of other battles going on in Dressrosa, and we're really, really at the show's mercy right now in terms of how rewarding or exhausting each one can be. Fingers crossed we get more hits than misses with the next upcoming batch of fights.
Crystal Kay previously sang themes for 2004's Fullmetal Alchemist and Nodame Cantabile― Recently, Anime News Network was able to sit down with singer-songwriter Crystal Kay and talk about not only her involvement with anime over the years but also what it was like to grow up in Japan as the child of a Korean-Japanese mother and an African-American father. Anime fans likely know of Crystal Kay throug...
The plot is excellent in the romance camp. Everything that happens is to get Eui-joon and Gunwoo together, and it works pretty well.― You can read The Dangerous Convenience Store in English two ways. The first is to read it on the manhwa site/app Manta, which has all seventy-five chapters and four bonus stories available. The second is to read Seven Seas' print (or ebook) edition, which, as of this ...
Some older mysteries inch closer to resolution as the true nature of the Abyss slowly comes into view, and long-posed questions start to be answered.― Sometimes, being a fan of Akihito Tsukushi's acclaimed Made in Abyss series means acclimating to suffering. Like many Western devotees, I was introduced to this bizarre, squishy, disturbing world via the 2017 first season of Kinema Citrus' fantastic a...
Anime premieres in 2024― Adult Swim's YouTube channel began streaming a first look video for the Rick and Morty: The Anime series on Saturday. The show will premiere on Adult Swim and Max in 2024, and will also run on Adult Swim Canada. The anime will be an original work, with adapted themes and events from the main Rick and Morty animated series. Takashi Sano (Tower of God) is writing and directing...
As Slam Dunk reached its final stretch, I can see why this series is considered the sports classic that it is today.― This is the largest batch of Slam Dunk episodes that I've reviewed thus far. Originally, I wanted to review the show in more even seasons, but given its overall pacing and release, it wasn't easy to find a moment where it felt right to stop and start again. However, as we approached ...
2nd part opens in Japanese theaters on June 7― The staff for the four-part Code Geass: Rozé of the Recapture (originally titled Gode Geass: Z of the Recapture, or Dakkan no Zetto) anime project revealed a trailer and a visual on Saturday for the second part in the project. The below video previews MIYAVI's opening theme song "Running In My Head." The anime's first part premiered in Japan on Friday. ...
James and Lynzee discuss the latest episode of Yatagarsu. Plus, GoHands keeps making anime, and we don't know WHY.― Yatagarasu Gets Violent! James and Lynzee discuss the latest episode of Yatagarsu, in which Wakamiya plays his hand to find out the truth behind his older brother's scheming to obtain the throne. Plus, GoHands keeps making anime, and we don't know WHY; Hunter x Hunter manga is on its ...
Making a sequel to Code Geass is a daunting task. But with its fantastic main character and a story that doesn't undercut what came before, Rozé of the Recapture is on the right track.― Making a sequel to Code Geass—especially one set close to the end of the series—is a daunting task. Any story that involves an ongoing war massively undercuts both the finale of the original anime and the sacrifices ...
The Switch sequel console is finally happening! The details are scarce, but you can find out more in this week's column. Also: an interview with El Shaddai's Sawaki Takeyasu, Microsoft layoffs, and more.― Welcome back, folks! What a wild week this has been for the gaming industry. We'll go further into it, but jeez. This past week also saw the disappearance of Capcom's Dark Void and Dark Void Zero. ...
The Code Geass creator discusses his new project with Web3 company Azuki, Enter the Garden, and his hope that this new path could help the medium evolve.― Los Angeles-based Web3 anime-styled brand Azuki and advertising conglomerate Dentsu debuted the first nine-minute episode of their joint anime endeavor, Enter the Garden, on April 30. The episode, which has already racked up a quarter of a million...